Goldtent TA Paradise

WHO IS P. DIDDY ?

1. Fullgoldcrown says:

   March 1, 2024 - 9:18 pm at 9:18 pm

   Did I mention this is 2024, the year of disclosure? As long as we’re discussing potentially-explosive lawsuits, another was filed this week that crowded yesterday’s headlines. Showing the incomparable power of the English language, the Rolling Stone’s headline succinctly and surpassingly stated, “The Diddy Allegations Aren’t Entertainment. They’re Disturbing.”

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   Is P Diddy the music industry’s Jeffrey Epstein?
   The lawsuit, which alleges drug and sex trafficking, underage sex parties, blackmail, indescribably perverted conduct, and murder, was reported with varying degrees of dishonesty on nearly every corporate media platform. None linked the actual lawsuit so readers could evaluate the claims for themselves. So I found it for you in the federal court system and here it is, but note that the subject matter is extremely dark.

   How is this awful rapper-versus-rapper lawsuit related to C&C’s normal topics? Let’s shift gears for a moment. There’s a ‘conspiracy theory’ positing that rap music was a CIA invention. It would not lack precedent. Nearly a decade ago, the Guardian exposed the CIA’s plot to manipulate Cuban society through hip-hop:

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   Critics will accuse me of conflating the U.S. government-funded NGO USAid with the CIA, but I am only reporting existing, widespread allegations. For example, a 2014 article by Foreign Policy reported that USAid has a history of engaging in intelligence work and meddling in the domestic politics of other countries. Other credible allegations exist that USAid is a CIA front, not to actually aid foreign governments, but to engineer their collapse, which is sort of the opposite of aiding them, if you think about it.

   To be perfectly clear: I’m not saying the CIA is now trying to engineer the collapse of America. I’m just implying that.

   Buried in the Diddy lawsuit’s wildly-salacious accusations, which include photos of things like blood-soaked bathrooms, prostitutes, and blurred photos of secret surveillance of perverse sexual encounters, were a smaller number of less-lascivious but totally-tantalizing details.

   The plaintiff, L’il Rod, alleged that, during the time he worked for the famous rapper, he became aware of an on-staff hitman, that P Diddy’s house was wired for secret video recording in all its bedrooms, that separate drugged liquor bottles were reserved for special guests, that underage sex parties were held for celebrities and influential businessmen, that LA Police cooperated to facilitate the illegal conduct, and strongly implied that P Diddy used the recorded sex videos to blackmail the music stars and industry executives.

   What other story does all that remind you of?

   Why would a successful rap artist with a multi-million-dollar record label need to do all this nefarious, illegal stuff? Why wasn’t P Diddy satisfied — and busy— with his legitimate music-industry success? At this point it will probably not surprise you that, according to publicly-available information, P Diddy is another one of these come-from-nowhere success stories.

   The whole story sounds, to me, a whole lot like a black, music-industry version of the Jeffrey Epstein blackmail operation, in the sense that the blackmail scheme, the cooperative law enforcement and lack of prosecution, and the high-tech bugging and recording expertise have the intelligence community’s bloody fingerprints all over it.

   Of course, I do not know. I’m not even very familiar with P Diddy and the dark world of rap music, or the CIA conspiracy theory. At this point, I am only reporting a wide media narrative that looks a lot like another 2024 disclosure gift.